Where USA is moving the money

Forbes and Blooberg 2011 Articles about Investments in USA .

by Bloomberg 2011

Naples Rises From Florida Housing Swamp as Wealthy Buyers Return to Market International Buyers International buyers seeking to protect their wealth with U.S. hard assets may also buoy South Florida, according to a June 2010 report by the Chicago-based Realtors association. Florida properties accounted for 22 percent of all purchases made by buyers from outside the U.S. in the 12 months ended in April, the most of any state, according to the report. The surge in Naples luxury prices contrasts with much of Florida’s housing market, where values are falling amid a glut of foreclosed properties. By Dan Levy – Mar 23, 2011 1:09 PM While much of Florida’s real estate market remains depressed by foreclosures, buyers seeking a second home in the state’s affluent vacation enclaves are “finally getting off the fence, Van an agent at Premier Sotheby’s International Realty in Naples, said in a telephone interview. Sales in the Naples area last year rose 10 percent, the first annual increase in at least five years, while the median price for homes listed at $300,000 or more gained 4 percent to $544,000, according to data compiled by the Naples Area Board of Realtors. About half of the properties in the market are second homes, and discounts from 2006 peak prices average about 25 percent, said Brenda Fioretti, president of the group. “Wealth determines housing, and the good places pick up first,” Karl Case, 64, a professor emeritus in economics at Wellesley College in Massachusetts who has been visiting Naples since a family vacation took him there when he was 13, said in a telephone interview. “For people with deep pockets, it’s generally a flight to quality.”

by Forbes 2011

Where America’s Money Is Moving Jon Bruner , 06.14.10, 02:30 PM EDT Low taxes, warm sunshine and deep discounts on real estate. No wonder IRS data shows the wealthiest among us are headed south. link : http://www.forbes.com/2010/06/14/where-the-rich-are-moving-business-beltway-rich-migration.htm l All the information is sent by Marco Meadows Team . Darlene Meadows . EXPERT Florida Properties Investments.

How to travel with friends (and not want to kill them)

Jun 22, 2011 10:45:36 AM

How to travel with friends (and not want to kill them)

  • Leif Pettersen
  • Lonely Planet Author
Two men sleeping on bench on Champs-Elysees.
View gallery

I have two permanent, oddly positioned bald spots on my head. Though my mother claims they’re from a scalp thing I had as a kid, I have it on good authority from my oracle that they’re probably where the Martians attached the electrodes.

However, spontaneous balding frequently has nothing to do with alien abduction. I’ve encountered many wretched travelers with unexplained bald spots formed during particularly challenging trips with incompatible friends. Whether they yanked that hair out during angry sleep or they were shaved by their vindictive companions is extraneous. What’s important is this hair-loss could have been easily avoided if these people had honestly communicated their travel styles and priorities during the trip planning stages.

Even your closest friend of 20 years, who saved your dog with mouth-to-mouth and donated a kidney to your sister (or vice-versa), can sometimes drive you to a stuttering rage while on the road. The divergent day-to-day circumstances of travel can expose and magnify irritations and disparities you never knew existed. And that’s if you’re compatible. If you’re not compatible, sooner or later that corkscrew you packed may be used for removing things its designers never intended.

Countless tent-pole duels to the death might have been prevented with pre-trip contemplation and dialogues. Some of the more pertinent criteria to consider in advance include:

1. Natural selection

Spontaneity during travel is great, but not so much when selecting a travel companion. Pick a friend whose company you consistently enjoy in a variety of situations. More often than not, blasting off with someone you don’t already know well is going result in trip-curdling disharmony. That includes your drinking buddy, that smokin’ hot babe you’ve dated for two weeks, and even the achingly attractive, witty, travel writer you met in the hostel’s breakfast room.

2. Setting expectations

Discuss your general vision of the trip. Vacation? Work trip? Urban exploration? Beaches? If one person is a go-go-go, see-see-see type and the other is a chill-at-sidewalk-cafes type, friction will quickly arise. And have you ever seen control freaks travel together? Messy. Carefully consider what you’d like to accomplish on your trip and communicate this with your prospective co-pilot.

3. Budgets

The last straw for many strong relationships has occurred while standing on a busy street in pouring rain, two miles from the hostel, when one person would rather walk, saving the €1.50 bus fare, and the other just wants to be dry. Ditto for the salivating foodie whose friend can only afford self-catered bread and jam dinners. Before you start planning, establish each other’s comfort preferences and available funds for things like accommodation, food and transport.

4. Divide and conquer

It’s perfectly fine to split up when you’d each prefer to do other things. Resentment grows quickly when one person is made to feel like they are catering to the other person’s itinerary too frequently. Equally, splitting up, whether it’s for three hours or three days, will soothe mounting frustrations. It’s not a sign of trouble or failure, it’s just good policy. Additionally, you’ll have copious stories to share when you reunite.

5. Night and day

A discussion about daily routines is a good idea. An incurable night owl is going to wear down a morning person in a hurry.

6. Be considerate

After you’ve found the right companion, a little on-the-road finesse is essential. Be conscience of your companion’s mood and fatigue. Balance each other’s needs. Be neat. Don’t hog the bathroom. And for the love of Buddha, don’t bogart the wine.

Have you used any clever strategies to maintain friendship harmony while traveling?

Buenos Aires y la actual gestión del Gobierno de la Ciudad, planteando su visión de Bs As como “La capital cultural de Latinoamérica”

Entrevista a Toni Puig en Barcelona “La marca Ciudad”
Entrevistamos a Toni Puig en una mesa a la calle del mítico Café Zurich de Barcelona. Uno de los máximos exponentes mundiales del “citimarketing” y quién nos brindará una conferencia magistral el próximo 26 de Agosto en el Hotel Conrad de Punta del Este se refirió a la marca “Barcelona”y a casos de ciudades como Berlín, Shanghai o Medellín.
Toni opinó además sin tapujos sobre . Duración 18 min. 5 de Julio de 2011
ReporteInmobiliario.com ®

Naples Tango – News!!!

Naples Tango
Master the art of “Permission Seduction™”!

Tuesday, July 5, 2011

Hola, Nancy!

At last Thursday’s Practilonga I announced Jeremias and Mariela’s workshop next Thursday. Our usual Sunday Tango Brunch with them is suspended for June and July.

* * * * *

Before I tell you about the workshop, I have other great news for everyone in the SWFL tango community!:

We’re starting a Monday night Guided Practica, next Monday, July 11, from 7:30 to 10:00 PM. This will be in addition to the Thursday Practilonga.  Monday’s encounter will be a no-frills, working practica (no wine, no buffet, but spring water on the house).  I will be available to answer any questions about your tango, to help you with any issues, or to let you practice freely if you don’t want help.

Each Monday session will start with 30 minutes (7:30-8) of unstructured warm-up time, followed by 30 minutes (8-8:30) in which I’ll review a figure with you, or we’ll practice an exercise together, or learn a milonga step.  Then you’ll still have 90 minutes to practice freely, and ask for help if you like. Sound good?

- The price of the 2.5-hour Monday Guided Practica is $20*/person.
Or if you combine it with the Practilonga (normally $10), it’s $25 for both evenings (requires Monday payment).

Introductory offer (July and August 2011):
- Prepay both Practica and Practilonga for a month (July 11-August 5, August 8-Setp. 1) and pay $75 – get one week free.  Couples $130 (life partners OR practice partners).

- Prepay the Guided Practica only – $60/month.

* Note: For students enrolled in private and semi-private lessons as of July 1, the Guided Practica in addition to your program package is $15, or $45 for the month.

Contact me with questions or to enroll at 239-776-6535 or helaine@naplestango.com.

* * * * *

Jeremias and Mariela return!!

Thursday, July 7, 2011
6:00-7:30 PM
Intermediate Tango Workshop
with Jeremias Massera & Mariela Barufaldi
Register by Wed. 7/6 and save!

Followed by our regular Practilonga, 8:00-10:30 PM
News!  Jeremias will be our musicalizador (dj) this Thursday!
(While, tangueros, you can invite Mariela to dance!)

Location:
The Naples Tango Club
5650 Yahl St. (off Pine Ridge), Naples, 34109

- Practilonga – $10 (Free to my students currently enrolled in lesson programs, and to curious new observers after 8PM)
- Workshop (Intermediate/Pre-intermediate level) $30 at the door.
- Workshop with pre-registration/advance payment by Wednesday July 6: $25
Some advanced beginners may attend, with advance permission.

Please pre-register online or in-person for the workshop (you’ll pay $5 less)!   Contact me with questions at 239-776-6535 or helaine@naplestango.com.

Register directly at http://naplestango.com.
Scroll down to “Thursday Workshop and Practilonga”.

* * * * *
Looking forward to seeing you Thursday night with Jeremias and Mariela!  Remember too: Jeremias is putting on the music at the Practilonga!

Abrazos,

Helaine

P.S.  Intermediates (Advanced friends welcome too) remember to enroll early for your workshop with J&M, to save $5!  Wednesday’s the deadline for the discount.
P.P.S. Do take advantage of the new, 2.5 hour no-frills Monday practica.  You’ll get some serious practicing done, and can ask me for help!


Master the art of “Permission Seduction™”!

http://NaplesTango.com

The Naples Tango Club, 5650 Yahl St. #2, Naples, FL 34109
239-776-6535  239-236-0984 (fax)

Download Helaine’s FREE Report: “Permission Seduction™ Secret #1″ at: http://NaplesTango.com

TANGUEROS!  To watch the “Permission Seduction™” VIDEO and receive FREE 1-month e-course:  “9 Surprising Tango Tips for Men” sign up at http://permissionseduction.com.

- “Una Noche de Tango”, Practilonga every Thursday night at The Naples Tango Club
- Sunday Tango Brunch, third Sunday of every month!
Check http://NaplesTango.com for details and directions.

Schedule your lesson appointments with Helaine online at http://naplestango.genbook.com.

Watch the 6-minute video on Helaine and her tango school in Italy, UmbriaTango:

10 ways not to be a travel writer by Lonely Planet

Straight from the keyboards of the Lonely Planet team


10 ways not to be a travel writer

Vivek WagleLonely Planet author

It’s the dream: travelling around the world and getting paid for it. Every day, thousands of aspiring travel journalists start up blogs, pitch pieces to editors and put pen to paper (at least metaphorically) in the hopes of making travel a full-time job.

Image by swimparallel, Flickr

 

The good news is that it’s achievable. While only a select few attain the high life of sipping margaritas by the pool while churning out leisurely prose on their Macbooks, travel writing for a living is a real possibility for those who have the talent and are willing to put in some really, really hard work.

However, we’ve noticed that there is a subclass of potential travel writers, photographers and video journalists who don’t really seem to have their heart in it. For some reason, they do their best to sabotage any chance of success. We believe you can learn a lot from them, so we’ve put together a list of their most common traits. Engage in these behaviours and you’re pretty much guaranteed to lock yourself out of a career in travel journalism.

10. Be sloppy

Whether you’re pitching a 500-word essay to the New Yorker or dashing off a quick blog entry, you’re presenting your professional face to the world. Is it the best face possible?

No one is perfect, and everyone except the stodgiest subeditor will forgive the occasional typo. But when you’re an aspiring content creator, any form of communication you produce becomes part of your portfolio. If your work is amateurish in quality, don’t expect to be paid for it.

9. Treat your pieces as personal journals

If you’ve started up a blog to keep your friends and family informed about your travels, go crazy! But all too often, we see works that are all about the creator and not at all about providing real value to the audience. They have the stink of those WhatWeDidOnOurFamilyVacation slideshows that everyone used to dread.

Use Facebook or personal blogs to reassure your mother and make your friends jealous. Use the avenue from which you hope to derive income to inform, educate, entertain or otherwise improve the lives of your audience.

8. Be flaky

Have you promised an editor that you’ll have that sample in for next week? Have you told your blogging audience, ‘Stay tuned for a big post tomorrow?’ Then please deliver. Nothing alienates people more than broken promises. Editors have tight, busy schedules and they are primarily concerned with getting great content out on time. Your audience has a ton of options vying for their attention, and if you fail to earn their trust they will go elsewhere.

7. Act like a jerk

You’d think this one would be obvious. But we’re constantly surprised by content creators who appear to lack any respect for those who are there to help them.

Here are a few simple tips:

  • Don’t call your editors names or make bombastic demands from them. (Any reasonable editor will listen to calm, professionally delivered opinion, but no one wants to be yelled at.)
  • Don’t belittle the people who comment on your website.
  • Don’t be rude in any form of communication with anyone who might have anything to do with your getting your work published. These people are here to help you live your dream. Don’t ruin it for yourself.

6. Stay shallow and general rather than building expertise

Bill Bryson may be able to say anything he likes about whatever he likes (no matter how general), but you can’t just go out and make observations about ‘stuff’. Build your niche and establish your credibility in it – this is crucial to earning trust. Are you THE authority on hiking in northern Spain? Are you an incredible wildlife photographer? Are your videos mordantly funny? Figure out what it is you’re amazing at, and go after that. Once you’ve established your area of expertise, you can begin branching out. But start focused.

5. Demand respect without earning it

Not too long ago, having your words on a printed page provided an instant credibility boost. But nowadays, anyone can self-publish – to the web, to ebook readers and even to print-on-demand machines. What this means is that you need to provide better evidence for your claims to expertise than being a published writer. Have you won any credible awards? Can you demonstrate having a large following? Have you produced something truly meaningful? If you can answer ‘yes’ to these questions, then let people know! And if you can’t, get to work on it. We’d all love to be paid $5 per word, but before you get there you need to demonstrate your value for more realistic returns.

4. Lack voice and personality

Most travel writing is insanely boring. If you can make someone smile, cry or act, you’re well ahead of the game. Gimmicks and tricks can help, but it will come down to how authentic you are. If you don’t put enough of yourself in your work, your travel content will be as woeful as the rest of the dross that pollutes the travel-blogging universe, and even the Travel Literature section of your local bookstore. Please be interesting.

3. Act without integrity

Trading unverified links with others to bolster your search-engine juice? Made deals with the devil (eg sketchy ‘advertisers’ who put malware on people’s machines)? Lied about your accomplishments – such as where you’ve been? Making promises you can’t keep to your editors and audience?

Sorry – there’s just no room in the travel-content community for you. Get out.

2. Ignore or disrespect your audience

Your audience is by far the most important factor in your success as a travel journalist. And yet we so often come across people who have no idea whom they’re writing, photographing or making videos for. If you don’t know who is going to consume your content, you haven’t targeted it appropriately. And you’ve demonstrated that your priorities are all wrong.

If you’re pitching or creating a piece, make sure you know exactly whom it’s intended for. (Case in point: if you’ve read this far down this list, then this list is DEFINITELY intended for you.)

1. Never try

Of all the mistakes aspiring travel writers make, none is more catastrophic than failing to enter the game.

It’s not an easy life. It requires a lot of talent, determination, perseverance and resilience. But the world is full of people who turn their travels into a living – through blogging, professional writing, video journalism and beyond. There are more resources than ever available to those who wish to travel for a living. If it’s what you want to do, then go for it.

What do you think?

Tango and Wine News in Naples -FL !

For Tango novices!

“Transformational Introductory Tango Experience
and Argentine Wine Tasting!” (8-10 participants per session)
An intriguing, romantic, and unusual evening

Includes:
- A 2-hour Transformational Tango Lesson with Helaine
- Argentine Wine Tasting – enjoy fine wines from Mendoza, and other parts of Argentina, and cheese
- Free Gift CD of “Helaine’s Favorites” with 6 of her favorite tangos.
- 50%-off voucher for the next monthly Sunday Tango Brunch that includes
brunch buffet with mimosas, coffee, students dancing,
and a professional tango performance. (Normally $20 per person).
- FREE Thursday evening Guest Pass to Naples Tango Club “Practilonga” (Normally $10 per person)

Next session:
Wednesday, May 11, 2010, 6:00-8:30PM

At the Naples Tango Club, 5650 Yahl St. #2, Naples 34109

Note for both men and women: Please wear comfortable shoes in which you feel stable and can wiggle your toes, preferably with leather soles.

Now ONLY $75/person

(discounts for group bookings, 8 minimum)

Buenos Aires de fiesta! De Toulouse-Lautrec a Picasso: el Malba festeja sus 10 años de vida

Obras de los siglos XVIII y XIX / No se exponían desde hace tres décadas 

LA NACION
Se inauguró ayer una exhibición de 85 trabajos realizados en papel por grandes artistas
Jueves 17 de marzo de 2011 | Publicado en edición impresa
De Toulouse-Lautrec a Picasso: el Malba festeja sus 10 años de vida 

Uno de los grabados, bajo la mirada de expertos y visitantes. Ver más fotos

Julieta Molina
LA NACION

Para una institución privada dedicada al arte, cumplir diez años de vida no sólo es motivo de alegría y orgullo. También es la confirmación de que sus propuestas culturales han encontrado como respuesta un público tan ávido como exigente.

El Museo de Arte Latinoamericano de Buenos Aires (Malba) cumple este año una década de vida, y para celebrarlo realizará cuatro grandes exposiciones. Hoy, a las 19, se inaugura la primera de ellas: Papeles modernos, de Toulouse-Lautrec a Picasso .

Con la curación de Angel Navarro, la muestra con la cual la Fundación Constantini comienza sus festejos es una selección de ochenta y cinco trabajos en papel, realizados por artistas europeos de fines del siglo XVIII y la primera mitad del XIX.

Las obras pertenecen al Museo Nacional de Bellas Artes y muchas de ellas no eran exhibidas desde hacía tres décadas. Todas pertenecen al gabinete de dibujos y estampas, creado en 1896, pero actualmente cerrado.

La exposición marca además el puntapié inicial de una alianza entre el Malba, LA NACION y Telefé. Como parte de esa iniciativa, por la cual LA NACION se desempeñará como media partner del Malba, se realizará durante el año y en el auditorio del museo el “Ciclo de adn .cultura”, que cubrirá un amplio espectro de manifestaciones culturales.

La muestra artística inaugurada ayer, que cuenta con el apoyo de Citi, incluye, además de obras de Henri de Toulouse-Lautrec y Pablo Picasso, trabajos de Auguste Rodin, Henri Matisse, Marc Chagall, James Ensor, Georges Rouault, Honoré Daumier, Amedeo Modigliani, Georges Braque, Käthe Kollwitz y Paul Klee, entre otros.

“Elegimos estos siglos porque los trabajos en papel de esa época, en general, están poco estudiados y, fundamentalmente, porque estos artistas son el umbral de los contemporáneos, que los miran a ellos”, detalló a LA NACION Angel Navarro.

“Desde tiempos lejanos, el papel ha sido el gran compañero de los artistas; para esbozar la primera idea de una gran obra o como elemento fundamental de una pieza definitiva”, afirmó el curador.

“La muestra está organizada por el rol del papel. Primero, por el uso que los artistas le dan -todos en algún momento lo utilizan- y después como medio de difusión, cuando a partir del siglo XIX su fabricación fue más sencilla, más económica y se agrandó el tamaño de las hojas, antes tan pequeñas y caras que los artistas utilizaban el derecho y el revés de la hoja”, añadió.

Con siete ejes temáticos, la muestra incluye estudios, desnudos, la figura individual y en grupos, retratos, la elocuencia de la imagen, los paisajes urbanos y el papel como medio de difusión.

Joyas

Integran esta exposición joyas del patrimonio histórico mundial, como dibujos de 1900 realizados por Picasso para ilustrar un libro de Honoré Balzac; un estudio de Giorgio De Chirico que incluye un figurín de un centímetro de altura; tres estudios de desnudos de Rodin de 1900; un Picasso abstracto que lleva a la mínima expresión los rasgos de su mujer; un paisaje urbano del escritor Federico García Lorca y muchas otras obras.

Pueden verse bocetos con un nivel de detalle impactante, como uno de Mario Sironi. Según explicó el curador: “Frente al avance del coleccionismo, los dibujos/bocetos pasaron a ser obras de arte en sí mismas”. La selección de trabajos permite también observar en las figuras la búsqueda de los artistas por crear un clima, transmitir una sensación o la psicología de su personaje, detalló Navarro. Un ejemplo claro de este ejercicio es la obra de Au mont de Pietat, de 1850, que muestra el profundo abatimiento de una mujer que empeña sus objetos personales en el Monte Piedad, en un dibujo que carece de contexto casi por completo.

Se destacan obras como Bañista , de José Antonio Ramón Parra Menchón, realizada en tinta y témpera en 1960; Maternidad, de Käthe Schmidt Kollwitz, y un autorretrato de la misma artista de perfil, donde se observa un gesto triste de una mujer que ha perdido a un hijo y un nieto en la Primera y Segunda Guerra Mundial; un dibujo de Chagall de 1925, Mujer en el campo , donde puede verse a su mujer en gran tamaño y, casi imperceptibles, él y su hija en la parte inferior del papel.

La muestra contiene dibujos y grabados de gran calidad y poco exhibidos en la región: “En América latina, las generaciones anteriores no tenían interés en las obras de arte realizadas en papel, pero últimamente esta industria se ha revitalizado mucho”, afirmó Navarro.

MUESTRA EN EL GRAND PALAISPARIS (EFE).- Del encuentro fortuito a la amistad y el flechazo, la exposición Aimé Césaire, Lam, Picasso abrió ayer al público en el Grand Palais de la capital francesa. La muestra revela la fructífera relación mantenida por el poeta martiniqués, el gran pintor cubano y el maestro español. La serie de obras presentadas es el resultado de esos encuentros clave.

PARA AGENDAR85
Dibujos y grabados
Son obras en papel de artistas europeos del siglo XVIII y la primera mitad del siglo XIX

Inauguración . Hoy a las 19 en la sala 5 del Malba, en Figueroa Alcorta 3415, con entrada libre y gratuita.

Entradas . La muestra podrá visitarse hasta el 23 de mayo, de jueves a lunes y feriados, de 12 a 20 y los miércoles hasta las 21. La entrada tiene un valor de $ 22; para docentes, estudiantes y jubilados, $ 11.

Socios . Los 450.000 socios del Club LA NACION podrán acceder al beneficio del 2×1 en las entradas y descuentos en el Gift Shop. También habrá material editorial en el restaurante del museo.

Seize the days! No administration fee this Black Friday weekend!-www.nancylandi.com

Rentals in Buenos Aires  and Orlando – FL only.

http://www.nancylandi.com

Phone : +1 239 206 2672
Nextel Radio: 54*602*518
Skype Nancy: nancy.e.landi

Home Buyer Tax Credit Could Expand -USA INVESTMENTS.

A first-time home buyer tax credit of up to $8,000 has helped to move housing inventory during an otherwise sluggish real estate cycle. Now both legislators and the business community are hoping to build on the incentive’s success by expanding it.

A number of bills have been introduced in the House and the Senate that lobby for an expansion of the measure. Among the proposed changes:
Setting a new cap of $15,000.
Extending the tax break into mid-2010.
Making the benefit available to all home buyers, not just first-timers.
Offering a separate tax credit to $3,000 for borrowers who refinance.

Our Guests and their experiences in BA

Valery – her wonderful blog and pics. (January 09)

http://8daysinbsas.blogspot.com

ba_0109_0205

2. Marcus – his published article in TRIP ADVISOR (March 5, 2009)

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“Porteños would never do this.” “Do what, exactly?” Although I knew what this alluring Porteña and my current dinner companion meant, I was eager to avail myself to any and all opportunities to hear her lyrically-accented ingles articulate her whimsical thoughts once more. Her voice was smooth, every syllable as intoxicating as the Malbec we shared around midnight at Quiroz Restaurante in Palermo SoHo.

She nodded slightly to her right thru the large window towards the diners to my left, enjoying dinner al fresco – between staring at the two of us doing ‘this’ – dancing in our seats to a 3-piece band’s loud and disjointed rendition of the Stones’ “Miss You”.

I waved to the eyes outside while admiring their steak. Seemed perfect after our appetizers of calamari fried in a light batter with limon and dill sauce proved crispy and delicious, but our caesar salad with pollo was dreadful with an overpowering anchovie flavor – to salty excess. The filet mignon however, was as succulent, tender and flavorful as it appeared on my audiences’ plate – easily ranking as one of the best steaks I’ve yet to taste. Accompanying sweet potatoes hit a perfect note balancing seasoning and texture. Little room remained for tiramisu, but I’ve never been one to decline postre, and I’m pleased I didn’t this night. Soothing music to the palate – it was that good, that memorable…

As were words spoken softly by the Porteña – “we’re reserved here.” Well, who am I to argue with a born-and-raised native? Still, I begged to differ, “you have tango! Seems such a display of passion and fluid grace doesn’t get much more expressive than that!” Smiling in agreement, she spoke again, “I know you want to dance and I’m adventurous – we’ll dance tonight…”

“Check, please!”

And so went the night, my third of four in BsAs and like the previous two, it was a stimulating one – with the added benefit of not having to partake in BsAs’ splendor all on my own. Not that I had time to contemplate (or even notice) my solitude; due in large part to the many Porteños I encountered and their curiosity, I never felt lonely nor alone. Indeed, after initially finding Porteños rather aloof – as many big-city dwellers seem at first glance – I soon discovered and experienced warm, affable folks who were more than willing to share not only a laugh or two, but also their immense love for this special place called Buenos Aires, that they proudly call home.

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But is there truly no place like ‘home’? Afterall Senorita Dorothy, BsAs is often referred to as ‘the Paris of S.A.’ – a catchy sell, but I’m not convinced of its accuracy – or necessity. Paris without question is an extraordinarily beautiful and seductive city, worthy of her place at the pinnacle of scenic and romantic locales – and so is BsAs in her own right and on her own terms. Despite obvious similarities in both cities’ abundant supply of Belle Époque-styled architecture, particularly the apartment towers with their rounded corners and wrought-iron balconies, I admired BsAs’ neighborhoods with their mix of varying styles from different eras, which apparently continues to this day. Many modern high-rises rose above elegant turn-of-the-century apartment houses, some with quaint corner cafes off their lobbies, and yet there remained an appealing, uniformed harmony within their diverse complexity.

When considered with BsAs’ ubiquitous trees, they formed a gorgeous urban landscape from which to ponder these structural wonders as the living art they are. Trees in Paris by comparison (and as envisioned by Haussmann), are positioned in a very orderly fashion with each one perfectly trimmed for exact height and shape (to charming affect I might add). BsAs’ trees had equal charm in addition to being resplendent in full bloom. From surrounding intimate fountains on tiny picturesque squares to the leaves of branches intertwined high above Avenida Sante Fe, they created an inviting (and cooling) canopy of filtered sunlight – perfect for strolling this busy Recoleta thoroughfare on a humid summer’s day.

Thankfully I was well-adjusted to heat, having arrived nicely tanned from the sizzling shores of Praia do Ipanema on a timely and thank God, drama-free Aerolineas Argentinas flight. After a quick pass thru customs, I exchanged dollars with Banco Nacion at the airport just past customs at a rate of AR$3.48.

My pre-arranged driver dropped me off at home – a hip studio apartment at Gurrachaga 1136 off Cordoba in what was billed as Palermo SoHo, but considering it was on the other side of Cordoba, I think Villa Crespo is a more apt designation. Regardless, my abode like this eclectic neighborhood, was perfect for my needs: small but cozy and modern, quite efficient and situated in a hot nightlife/dining area, yet not of it, so what little sleep I managed was very peaceful and needed after enjoying SoHo’s myriad of nocturnal offerings. With an exception given to the lack of a doorman (as advertised), the apartment otherwise lived up to my expectations as did my dealings with Nancy Landi Properties who rented it to me.

Just around the corner on Cordoba, Claro activated my tri-band unlocked phone for AR$30 (a visit to a nearby kiosk is where I subsequently obtained a PIN for AR$45) – so I got my number and me and my camera got to walking… Before long, fear of street crime overtook me. Oh I heard the horror stories, but until just 10 minutes ago, I didn’t understand the severity of these assaults. The culprit? Man and his best friend’s unfriendly sidewalk manners! Now, I can’t say I witnessed the perps in umm, action, but I did see and certainly smelled distinct evidence of their crimes. Cautious eyes trained on the sidewalk prevented any missteps even though my NYC quick-paced gait was held-up on several occasions, if not by Rover’s odors, than certainly by tiled sidewalks in varying states of disrepair. I imagine after yet another near trip and fall, some passerby heard me yell-out in not nearly-fluent español, but rather another language. From France. Pardon moi…

Occasionally, I found myself giving pardons to a few Porteños I passed whose stares bordered on impolite. Granted, I took no offense and instead proffered my smile. Besides, I understood rather quickly from where their reactions stem – I encountered no other person of color during the first 3 of my 5 days amongst the throngs of humanity that passed my way in the heart of this bustling metropolis. The experience, while less than unnerving, was still every bit as exotic and new to me as my presence obviously appeared to them. Of course, that’s not to say BsAs is completely void of diversity; to the contrary, I passed a mosaic of people representing races and cultures from the four corners, and many Porteño faces reflected their native-American heritage. Nevertheless, apparently my dark skin remained a rare sight for many sore eyes.

Although for social purposes, it was a very good look – I suppose I couldn’t have asked for a more perfect opening liner – “stare here often?”

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Laughter and a smile go a long way and they were free-flowing with the gregarious locals I had the pleasure to meet. From the bubbly Porteña of a certain age who after a double-take, complimented me as she passed my small sidewalk café table at Tiende in Recoleta, to the kind gentleman who after seeing me consult my ever-present map in the subte, offered his assistance with warmth and an “enjoy BsAs!” as a parting sentiment, I truly could not have asked for more agreeable hosts.

Or more lively ones for that matter. My first night found me jet-lagged and sleep-deprived, yet I was still eager to experience what’s so hot in SoHo. I wasn’t disappointed. Plaza Serrano, just a five-minute walk away, found me enjoying many of the surrounding watering holes in addition to adjacent neighborhood streets filled with culinary and nightlife options and buzzing with activity ‘til very late (or very early in the morning, depending on your stamina). I started at Maleva Restaurant directly on the Plaza at Serrano 1598, enjoying a nice house Malbec, soon making acquaintances with several SoHo residents, many out with their strollers, other couples alternated pushing their little ones on the adjacent swings that elicited shrills of delight from toddlers who swayed back and forth. At 10:30pm.

Meridian Bar 58 on J.L. Borges 1689 was the epitome of laid-back and chilled with a duly radiant crowd that deserved a lounge offering nothing less. And apparently, here is where they wanted to be – swaying to mellow tunes in strapless dresses or tight denim, under an open-roof with a view to a radiant full-moon, this scene redefined the term ‘sexy’. I ordered a caipirinha – “Hola…my what lovely stares you have…”

I called it a night with a delicious slice from a non-descript corner pizzeria on Honduras on the way home, early. It was 2:30am.

The plan was to start the next day with a trip to Floralis Generica, instead the cloudy day that greeted me on my balcony as well as the predicted rain, made an opportune time to visit the serenity and majesty of Recoleta Cemetery. Although I had purchased a subte pass for AR$11 which allowed 10 rides on an efficient subway system, I ventured on foot down Avenida Sante Fe, stopping at Alto Palermo mall for a bite to eat and a respite from the soaking Mother Nature provided to a parched BsAs.

Showers fell and ended within 2 hours, just enough time to regret ordering jamón crudo from Alto’s top-floor glass-enclosed restaurant, overlooking the umbrellas that crowded the intersection of Avenidas Colonial Diaz y Aranales below. Nice setting for lunch, if poor choice of sandwich; no worries, I’d gladly return for their chocolate square-topped cappucino served with a generous dollop of cream that lazily dissolved with each sip. BsAs knows their coffee. Me and my mornings are pleased to now know that fact…

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Recoleta was a study in opulence from a bygone era – monuments to the memorable lives that now rest in this hauntingly-beautiful and hallowed ground. Eva Peron’s eternal home was alive with flowers surrounding its relatively subdued facade. I spent well over an hour wandering Recoleta’s narrow passageways, humbled passing yet another elaborately-detailed statue or ornate tomb, alone in thought but not lacking for compania; three friendly felines forever brushed their purring bodies hard against my leg as I attempted to digitally capture what was so visually moving.

Later that night my feet had to do some moving as well; the dance began the moment I entered Club Aråoz and didn’t end until I exited Club Niceto at 4:30am. Both hotspots showcased dancers who gyrated on packed floors with attitude to an exhilarating mix of American-centric hip-hop, rock-infused Argentine electronica and throbbing drum-n-bass. My ears are still ringing! Niceto’s a mere 5 blocks from home, so I enjoyed the casual stroll back thru the quite active calles of SoHo.

Miraculously by 10:30am I was out the door, bound for Avenida Corrientes and an opportunity to ride the fabled wooden subte cars of Linea A. After navigating thru angled streets of Villa Crispo, I arrived in Abasto and walked along Corrientes past everything from car repair shops and markets to laundry facilities and hardwares – this was a well-serviced commercial neighborhood. A wonderful mosaic of folks from all walks of life parading along this busy avenue added color to the scene. Being accustomed to long distances living in NYC, I didn’t mind walking the extra blocks the closure of 2 stations necessitated and Almagro made for an interesting stroll.

The Carlos Gardel station was open, but the train was not wooden; apparently they run at random. Well, I suppose that’s yet another good reason to return to BsAs…

Exiting at Carlos Pelligrini, in short order I toured the area surrounding the Obelisco, including a partially-shrouded Teatro Colón and Plaza Lavalle, strolled thru Plaza de Mayo where Casa Rosada seemed to glow in the early afternoon sun and Calle Florida was as imagined – hectic! Packed with hawkers and shoppers, tourists and performers, it had the feel if not the intensity of Broadway and 47th in Times Square. In other words, I liked it. Heavy on pop culture and kitsch, Florida’s pedestrian mall was the perfect locale to take a break from the heat, grab a dulce de leche and watch the world of people go by.

I continued my walk down Calle Defensa bound for San Telmo, stressed by reality of the painfully obvious variety – I’ve just 2 more days in BsAs! Shifting focus, I returned to enjoying the moment; easy to do while witnessing tango dancers for the very first time in Plaza Dorrego. Smooth as silk with an effortless skill, they twirled and slid across the floor oblivious to an enthralled audience that clung to their every dramatic yet graceful step. The passion on display was quite palpable, even as they gently reminded me that what I was witnessing was not motions of their bodies but from their souls. Set against a backdrop of quaint colonial buildings, their Dorrego stage also included various artisans who sold their crafts between witnessing poetry in motion, the dancers’ performance as art.

After a sincere gracias for their efforts and $10 pesos for their propina, I bid the dancers and San Telmo’s charming and cobble-stoned streets adeus. I was heading to La Boca, quite the distance, but well worth my efforts. My reward came in the form of interesting side streets and colorful buildings that surrounded Parque Lazamo and the Museo Histórico Nacional. El Hippodromo, a relaxing and atmospheric cafe, with plenty of old school charm, was a cool spot to enjoy a cold cervesa.

Tourist traps can have charm too as quirky El Caminito soon proved. Plenty of tango here, performed along streets of vivid, multi-colored tenements where various diminutive doll figures (including Eva Peron who waved from a balcony) further enhanced the carnival-like atmosphere. Several outdoor stages fronted restaurants with make-shift stages where once again I marveled at the grace of seductive movements performed with flair to spare. Seamless movement never looked more perfect. And then a dancer asked that I join her on stage. Can’t say I’m exactly shy and I’m blessed with rhythm, but humility rules my world on all things tango. Something musth’ve been lost in translation, ‘cause she wasn’t entertaining any of my hesitations as this tiny dancer pulled me close and began to count time in my ear to a guitarists’ clipped strumming.

I made a moment, still I’ve no plans to tender my resignation from a day job. Pictures were taken and kisses to cheeks exchanged as I left to further explore amongst the throngs of my fellow camera-toting tourists.

A taxi provided much-needed air conditioning as it sped back uptown for my rendezvous with Punta de la Mujer. I’ve seen countless pictures of this sleek span, but they do its flawless lines little justice. It’s a daring structure with its elegant design and daring engineering, a fact made clear upon noticing the connecting section of the bridge in the center of the waterway, which facilitates the bridge’s 90 degree swing allowing water traffic to pass; the kayaker below, who glided pass required nothing of the bridge, although I’m certain he’s pleased such a striking work of art exists.

On such a humid day, a ride up Cordoba for home on a cooled collectivo was literally just the ticket, dispensed in the form of a tiny receipt of sorts from a meter after depositing $2 pesos in change for fare. Suspended straps are there for a reason I soon discovered as the increasingly packed bus careened thru rush-hour traffic as though it were due ‘there’ yesterday.

After a couple hours of much needed rest, I was ready for Friday night and the rhythmically-gifted Porteña’s 11:00pm arrival for dinner at Quiroz, which concluded with dancing – salsa to be precise, courtesy of my portable iPod player that called the tunes that moved our bodies ‘til 5:30am.

Not at all tired five hours later, I strapped on my rollerblades this balmy Saturday morning and rolled up Calle Thames to Avenida Sante Fe on a direct route past sprawling Jardins Botanico and Zoológica as well as Parque Tres de Febrero and the landmark Monumento a las Españoles, whose fountain served as a makeshift piscina for one animated family who let it be known they were ready for their close-up.

Avenida Alcorta’s expansive width was softened by parks and made more appealing by trees nestled against modern apartment towers that gleamed from upon high; a visual treat along the way to the main course Floralis Generica, which shimmered in the morning sunlight.

Up close, it is both eccentric and graceful and larger than I imagined, but every bit as intriquing. Birds rested gently on its petals as sunlight reflected the waves from a circular pool that served as its base. Resting on the hill that frames this flower’s edge, I reflected on the beauty and serenity this sculptural gift (and of course, the ciudad where it blooms) imparts.

I dined alone on tender veal and of course, a glass or two of Malbec that last Saturday night at Restaurante Lo de Jesus, located at Gurruchaga 1406, just down the calle from my apartment . Sitting outside at 1:00am, the city was alive, the night still very young, and as revelers passed my table, I wondered if they’d be enticed as I was and return to this seemingly perpetually-crowded and uniquely cozy spot. They should. The service as well as the ambiance was very warm and inviting. To say nothing of the prices (reasonable is an understatement for many attractions in BsAs); I almost felt guilty spending so little for such flavorful and inspired culinary indulgences.

My after-dinner intentions were to return to my apartment by 2:00am and pack for a return to my beloved Rio. I left the restaurant for the short 3 block walk home resolved to curtail the night. Then I heard that unmistakable hypnotic samba beat eminating from the vivid facade of club Devenir Brazil. I’d passed this building with its bright facade bearing the green and yellow colors of Brazil’s flag a few times during the day, but had no idea it was this quente at night. Packing would have to wait.

Who knew? There’s a thriving Brazilian community in BsAs as well as a devoted following of Porteños who know their way around a Brazilian back-beat. Well, so do I! Before long, I too was grooving to hot samba and Carioca funky rhythms with the flirtatious of BsAs once again. I managed to leave by 5:30am, reluctantly.

Ahhh, but all good things meet an end and great places require further exploration, so after checking out of my apartment, I wondered a bit thru SoHo melacholy in the thought there were so many things I didn’t explore during my now painfully obvious too-brief visit. Four hours separated me from my ride to the airport, so I flagged a taxi and made a deal: Take any scenic route towards the Obelisco, por favor.

Turns out my cabby loved BsAs and was pleased to indulge my desire to see a bit more of her appeal prior to waving these moments good-bye. We chatted further with an interest of not killing time, but sharing ideas and experiences. Fabled Cafe Tortoni semed a perfect setting for a farewell cappucino with a patient and well-informed driver. Congreso’s fountains and domes met my camera next, before a reminder that I couldn’t possibly leave without stopping by the gem that is the Palace of Running Water. It is a structure without comparison and brimming with architecture any eccentric would love, it was quite a sight to behold.

Alas, time dictated that this brilliantly grandiose Palace would be the last thing I beheld…

So, with an earnest ‘gracias’ and a parting hug, I left Rafael and entered EZE, comforted by that warm glow of feeling I’d experienced something unique, something unforgettable, something that will forever remain with me until my inevitable return, only to be moved again by the seductive intensity expressed in a dance named tango, found within this vibrant city named Buenos Aires…

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A Thousand Words: BFG’s Photographs of BsAs…

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